Hello! I'm Paddy Lynch, a cartoonist, illustrator and graphic designer from Dublin, Ireland.

I like to make drawings and images that tell stories and communicate ideas.

Books and comics I have illustrated include: Big Jim (with Rory McConville 2013, the O'Brien Press), My Last Day at 17 (with Doug DuBois, 2015, Aperture Foundation) and my comics series Last Bus (Cardboard Press). I run the monthly Dublin Comic Jam, and publish other folks' zines and comics under the Cardboard Press imprint.

 

Let's work together!

email: paddy@patrickl.net
phone: 086 399 5654 (irl) or
+353 86 399 5654 (intl)
skype: patrickldub

 

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Posts Tagged ‘art’

Independent’s Day 2012

Posted by Paddy

Since 2008, Anto Dillon and various enablers have organised a fantastic annual day-long celebration of all things DIY. What I especially love about it is the cross pollination between the DIY punk, zine, alt-comics, lowbrow/underground art and activism communities that happens at this fair. I feel an affinity with all of these scenes to a greater or lesser extent, but it’s only here that they come together in such a special way. I always try to donate some time to put together a poster for it. This year I may be running late, but I’m well pleased with the results.

Anyway, I’ll be manning my stall selling my small press and mini comics (including one newish compilation that I put together in August, but haven’t promoted yet), so do come along. It’s bound to be a great day.

Big Jim Preview 2

Posted by Paddy
Big Jim pg 21 excerpt pencilBig Jim pg 21 excerpt

One thing I’ve found while working on this project is that I’ve become more and more particular when it comes to what materials I use . I used not to be that fussy over paper type, possibly due to the influence of some of the more ‘fine art’ practices I had in college, preferring a rough paper texture and soft pencils. However, recently I found that this combination was not giving me the optimum surface quality that I would like for inking so I’ve caved and switched to the ubiquitous Bristol board. As can be seen in the examples above, it’s lead to a somewhat tighter pencilling/inking combination than I used to display.

Anyway, this scene was really a joy to draw. There are a lot of nicely plotted sequences throughout the book like this that play little moments against the larger Moments of Grand Historical Significance. I honestly think this is important, as there is a danger with historical based drama to fall into the trap of hyperbole which leaves little space for the reader to identify with the characters or the events being depicted.