Hello! I'm Paddy Lynch, a cartoonist, illustrator and graphic designer from Dublin, Ireland.

I like to make drawings and images that tell stories and communicate ideas.

Books and comics I have illustrated include: Big Jim (with Rory McConville 2013, the O'Brien Press), My Last Day at 17 (with Doug DuBois, 2015, Aperture Foundation) and my comics series Last Bus (Cardboard Press). I run the monthly Dublin Comic Jam, and publish other folks' zines and comics under the Cardboard Press imprint.


Let's work together!

email: paddy@patrickl.net
phone: 086 399 5654 (irl) or
+353 86 399 5654 (intl)
skype: patrickldub


Posts Tagged ‘dublin lockouts 1913’

Big Jim Preview 5

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Dark plots are hatched in  the corridors of power. Larkin is released from prison and delivers another of his rousing speeches, a particular quality for which he was well remembered (actual recital begins at about 1:03). I was rather pleased with this page, although in reflection the second panel will probably be redrawn before publication.

Only 12 pages to go on this project and I can begin to think about some new ones in earnest! Have a very special project lined up to see the light of day before the summer that I’m incedibly excited about, but it’s too early to spill the beans.

By the way, you’re keeping an eye on my Tumblr, right? Diary comics, and extra insights into the Big Jim working process are some of the many delights you might enjoy over there.

Big Jim Preview 2

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Big Jim pg 21 excerpt pencilBig Jim pg 21 excerpt

One thing I’ve found while working on this project is that I’ve become more and more particular when it comes to what materials I use . I used not to be that fussy over paper type, possibly due to the influence of some of the more ‘fine art’ practices I had in college, preferring a rough paper texture and soft pencils. However, recently I found that this combination was not giving me the optimum surface quality that I would like for inking so I’ve caved and switched to the ubiquitous Bristol board. As can be seen in the examples above, it’s lead to a somewhat tighter pencilling/inking combination than I used to display.

Anyway, this scene was really a joy to draw. There are a lot of nicely plotted sequences throughout the book like this that play little moments against the larger Moments of Grand Historical Significance. I honestly think this is important, as there is a danger with historical based drama to fall into the trap of hyperbole which leaves little space for the reader to identify with the characters or the events being depicted.